Paris on the Potomac: The French Influence on the Architecture and Art of Washington, D.C. - Perspectives on the Art and Architectural History of the United States Capitol

Marc Notes: Includes bibliographical references and index.; Avail. in cloth; Published for the United States Capitol Historical Society.; Essays originated in a conference held by the U. S. Capitol Historical Society in 2002. Review Quotes: "("Paris on the Potomac") responds to the question of how French architecture and decoration have affected the building of our nation's capital from the days when George Washington and Pierre L'Enfant laid out a plan for the city's design. For the reader who travels next to Washington, D. C., the quest to sight those French influences in city planning, architecture, and decoration will be inevitable."-- "The French Review"Review Quotes: "These essays are well researched, have ample footnotes, and are accompanied by many helpful black-and-white illustrations."-- "Choice"Biographical Note: Cynthia R. Field is an architectural historian and the chair of the Office of Architectural History and Historic Preservation, associate director of the Office of Physical Plant at the Smithsonian Institution, and coauthor of "The Castle: An Illustrated History of the Smithsonian Building." Isabelle Gournay is an associate professor of architecture at the University of Maryland, College Park, and author of "Le Nouveau Trocadero" and the "AIA Guide to the Architecture of Atlanta." Thomas P. Somma is the director of the Mary Washington University Galleries at Mary Washington University in Fredericksburg, Virginia, and author of "The Apotheosis of Democracy, 1908-1916: The Pediment for the House Wing of the United States Capitol."Review Quotes: "Beautifully produced, ("Paris on the Potomac") is presumably offered as much to lovers of Washington, DC, as to a professional readership. Can it help general readers to 'think historically'? Yes! The reader is immediately in good hands in the first essay.... Available in paperback for twenty-five dollars, this is a book I would buy for friends and family."-- "Journal of the Early American Republic"Review Quotes: "("Paris on the Potomac") is another consistently engaging and insightful collection of essays published as part of the Perspectives on the Art and Architectural History of the United States Capitol series.... As a whole, the collection underlies the importance of French-American amity and offers Washington, D. C.--as much a European city as an American one--as irrefutable evidence that space and place are occupied by politics and ideology as much as they are by people."-- "The Journal of Southern History"Publisher Marketing: In 1910, John Merven Carrere, a Paris-trained American architect, wrote, Learning from Paris made Washington outstanding among American cities. The five essays in Paris on the Potomac explore aspects of this influence on the artistic and architectural environment of Washington, D. C., which continued long after the well-known contributions of Peter Charles L'Enfant, the transplanted French military officer who designed the city's plan. Isabelle Gournay's introductory essay provides an overview and examines the context and issues involved in three distinct periods of French influence: the classical and Enlightenment principles that prevailed from the 1790s through the 1820s, the Second Empire style of the 1850s through the 1870s, and the Beaux-Arts movement of the early twentieth century. William C. Allen and Thomas P. Somma present two case studies: Allen on the influence of French architecture, especially the Halle aux Bles, on Thomas Jefferson's vision of the U. S. Capitol; and Somma on David d'Angers' busts of George Washington and the Marquis de Lafayette. interior decoration in the homes of Washington's elite in the late nineteenth and early twentieth centuries. Cynthia R. Field concludes the volume with a consideration of the influence of Paris on city planning in Washington, D. C., including the efforts of the McMillan Commission and the later development of the Federal Triangle complex. The essays in this collection, the latest addition to the series Perspectives on the Art and Architectural History of the United States Capitol, originated in a conference held by the U. S. Capitol Historical Society in 2002 at the French Embassy's Maison Francaise. Review Citations:

Reference and Research Bk News 05/01/2008 pg. 280 (EAN 9780821417591, Hardcover)

Contributor Bio:  Field, Cynthia R Nathan Glazer is an emeritus professor of sociology and education at Harvard University. He is the author or editor of many books on public policy and urban problems, among them The Public Face of Architecture and From a Cause to a Style: Modernist Architecture's Encounter with the American City. Cynthia R. Field is the architectural historian emerita at the Smithsonian Institution and a faculty member at the Corcoran College of Art. She is the coauthor of The Castle: An Illustrated History of the Smithsonian Building. Contributor Bio:  Somma, Thomas P Somma is a historian of American art and the director of the Mary Washington College Galleries at Mary Washington College in Fredericksburg, Virginia.